Melancholic Fool tried to be creative

I have written plays before, but after learning the language of drama, I wanted to write something that at least resembles the brechtian plays. However, i realized that to write a brechtian play, it requires more intellect than my small brain could muster. So after a few days of thinking and after being pushed by my group members, i resort to the usual plot structure.

The last play that i have written was staged in IPP Penang, it was an adaptation from the Hang Li Po's love affair with Hang Jebat. It was fun, with a lot of funny lines and dancings, the title was scandal in the palace. It was not brechtian either, but i think it was better than the one i have written for the assignment.

My group members, bored that they have to wait for me to get an inspiration, they came up with a plot, and all i had to do was to realize it in the form of a script. So my intention to write a brechtian cant be fulfilled. However, i learn how write so everyone can understand the story, since most of the time i write something to messy and people just cannot understand. So all the comments that i got from my friends have helped me level my writings to a more normal one.

The Weird Ancient Greek Life

The Teiresias that I know is only in the play Oedipus, and there he (who used to be a she, and also a mother) was treated like this all-knowing wise man, very mature and intelligent, but later when I goggled him, I was so shocked with his story, what with the stalking Athena and hitting a couple of snake who were having sex (and got transform into a girly girl – is it just me or everyone can't see the connection of how being transformed into a girl can be a retribution from hitting snakes having sex?)

The myth of ancient Greeks have this reputation, full of sex, lust, fools, over-achieving man, out-of-your-mind punishment. I think Teiresias is all reputations rolled into one. One big reason for this is that he came out in a number of different plays so probably he needs to develop his characters more. Probably, the ‘tukang karut’ of ancient Greek have ran out of ideas so they decided ‘hey, why don’t we make him blind and after a few more stories, we could change him into a woman and he could bore sons!’.

However, there could be a lot that we can learn from him, one of it being discreet on things that he 'sees'. I mean, when he sees something, he refuses to tell, i think he realized that by saying a prophecy out loud, people would tend to fulfill it. Maybe he had seen what would happen to macbeth in a few centuries time.

Prophecy is not a good thing, i think teiresias, ironically, being a prophet himself, sees the worst in saying about prophecies, that was why he decided to keep quiet of saying who is the murdered of Laius.

They Produce Offspring??

....

exactly what i was thinking when i've finished reading Oedipus Rex. I mean like, it could be exciting to stage a play with so many dramatic suspense on a stage, i would love to be the director, but i still cannot pass the fact that Oedipus produced sons and daughters through his mother...

I know i have to be professional and accept the storyline, however, i guessed i am too far traditional or maybe even close minded to actually wriggle in thoughts of vomit whenever i read about the character Jocasta. But i cannot deny that the suspense were fitted to the plot impeccably, i can imgaine if i actually attempt to stage it, i would have to muster a lot of energy to explain to my actors of how it should be acted, and it would take really good actors to act in this plays, preferably those who can get pass the fact that oedipus slept with his own mother - and produce offspring.

The language in the play was surprisingly easy to understand, so i think to actually teach using this play was not impposible, however, to expose students with

one and two and three and turn!

Dancing, i will never understand that kind of art. I can never get the concept of shaking/wiggling/dramatizing(?) your body in front of people - i would never do that, but i did(!) it anyway!

Of the three years i lived in Johor Bahru i have danced Zapin three times, and indian dance twice, and sarawakian ethnic once - all are different. Where zapin is aggresive but graceful, indian dance is just aggresive (not in a bad way), and sarawakian ethnic dance was downright interesting. Sadly to admit, i enjoyed dancing.

Zapin had a disciplined about it, you have to tilt your head a certain way, not too much becase it would destroy the whole concept - just tilt your head a certain way - it can't get more ambigous than that! Everyone in the number have to move in the same place and at the same time, which was really hard to do because coorperation is something rare to find nowadays (as rare as the sumatran rhinocerous - interesting analogy).

Of course after doing the Zapin i got laughed at by my friends because in a way dancing may have unmanned me, but i have to say, to see your hard work practising to be greeted with applause was a great feeling. Being the only indian in a traditional malay number was so malaysian - as my lecturer put it. I may have developed a certain liking with malay culture since i cant stop imagining that two thousand years ago (or maybe a bit more recent than that) - zapin is their television!

Indian dance is where i let go, seriously - there was a lot of jumping and twisting and stuff. It was like as though you moved your body vigorously and suddenly you felt - light, as though you are a feather, indian dance help me let my insecurities go!

Now with the sarawakian ethnic - this was really interesting because i did this dance as an act for a thetre. I wrote a theatre and it was staged in IPP Penang, i got this idea that when the characters in the play was about to engage in a catfight, dancers (myself included)come out and did the dance - it had colourful musics and weird steps which i found suitable to portray the anger of the characters. Even when at the time of staging we had some technical problems, but if there were none, it would had the effect i wanted.

From what i have learnt from dancing - moving/shaking/wiggling/twisting your body with music help discipline/calm and portray your emotion - but i doubt that the whole point of traditional dancing!

Wither Shall I wonder?

By: Muhammad Azhar Khan b. Ashfar Ahmad

I love histories, all those things about greek tragedies, roman bloodbath, terrible Tudors, madness of Qin - Everything - I was elated to learn the histories of drama (because I have never read about it) but my excitement were gone because - I did not know that Antigone was pronounced Anti - Go - Nee!The first class of Drama and there is already a thing that i don't know. (not to mention other scores of things that i don't know - who knows that Gladiator originated from a form of theater?)

To live another whole sem with 5 hours of bafflement every week... there got to be more energy that i could muster to go through this. When i was listening the lecture about how theater originated, I didn't know that there were more to theater than Tiara Jacquelina over-publicizing herself in Istana Budaya.The whole time that Dr Edwin was lecturing my head was spinning with the nursery rhyme -'goosie goosie gender, wither shall i wonder'... not because of that 'not saying the prayers' part, it was about the wondering part, and the going upstairs and downstairs part because I felt like my mind was scampering through my brain in hopeless attempt to find the intellect to grasp all these new facts, and some familiar facts too - the fact that I have to learn more Shakespearean English was and always will be a challenge to my little tiny brain.

Hopefully i will make it through this course, or every time Dr Edwin lectures, there will only be the sound of goose squawking in my little tiny head.